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The History of the Eames Office Chair
Charles and Ray Eames remain amongst the greatest designers of the modern era. True polymaths, they created groundbreaking films, buildings and textiles. In furniture, they produced iconic designs that combined sleek aesthetics, major technical achievements and, above all else, comfort. Many designers have since taken their iconic work as inspiration, spinning all sorts of stylish, innovative and comfortable chairs. Amongst the Eameses most famous designs was the Aluminium Group, commonly known these days as Eames office chairs.
The design was born out of a challenge set almost sixty years ago. The Miller House is now a National Historic Landmark, but in the mid-1950s it was a building site. The house was to be the epitome of modern design and its interior uncluttered, but homely. Girard was a long time collaborator of the Eameses and asked them to design high-quality seating that could be used both inside and outside the house.
Charles and Ray Eames chair was to be a revolution. They constructed the seat frame from cast aluminium, making it lightweight but strong. The Eames chair could be moved about with ease and would not be easily damaged. The frame was designed to support a stretched synthetic mesh. The material was secure, but fitted loosely enough that it could conform to the body of anyone sitting in it. This mesh was not a standard cover for the seat, but an integral, load bearing part of the chair design. This form of seat suspension was a major technical breakthrough, throwing out the rulebook that had existed since the Ancient Greeks which said chairs should be a solid shell.
Eames Lounge Chair and Ottoman
A ture icon of modern design. Eames Lounge Chair and Ottoman is widely considered as one of the most significant designs of the 20th century.
Assonhom Eames Lounge Chair reproduction represents the symbol of arm chair comfort with it curves of the plywood shell. The crease from it Top Grain Italian Leather also froms a exquisite texture.
Eames DSW Dining Chair
DSW Chair designed by Charles and Ray Eames was a combination of minimalist design and perfect ergonomic contour. As a winning prototype of the Low Cost Design Competition organised by the New York Museum of Modern Art in 1948, the DSW chair is recognised for its revolutionary design, combining comfort and original style. All these make the DSW to be a celebrated furniture classic of the 20th century. Longevity was as much a part of the Eames philosophy to design, as artistic flair, comfort and functionality.
The couple believed that “design is a method of action,” and they continually updated their work as new material became available. The technique of moulded plastic made their desinger furniture available to be one of first chairs to be mass produced.
Eames DSW Dining Chair (Dining height Side chair Wood) offers many practical features that ergonomically curved form is perfectly adapted to the shape of the body. Rubber shock mounts connect the seat and base which enhances the chairs adaptability making it comfortable over long periods. In fact, the seat was ergonomically sound years before Health and Safety Executives made it a priority.
Eames Lounge Chair
Sayfamda sizinle zaman zaman tanınmış modern design mobilyaları paylaşmak ve alırken dikkat edilecek noktaları öne çıkarmak istiyorum.
İlk yazımda Modern Design Mobilyasının en tanınmış tasarımı Eames Lounge Chair ile başlatmak istiyorum.
Charles Eames ve Ray Eames tarafından 1956 yılında tasarlanan Eames Lounge Chair ve Ottoman bu şöhreti elde almıştır.
Zamansız ve son derecede estetik olan bu konforlu berjer hem şöhretini hem de zamansızlığını tutmuştur. Belgeseller onun yaratılış konusunu anlatmıştır ve sayısız kitaplar da onun eşsiz stili hakkında yazılar yazılmıştır. İnsanlar tasarım, konfor ve zamansızlığı için bu koltuğu ister. Charles ve Ray Eames tarafından oluşturulan ürün, 50 yıl sonra bile zamansızlığını kaybetmemiştir. Her sandalye elle monte edilir ve kalite düşüncesi en önde gelir. Orijinal Eames Lounge Chair ve Ottomani vitra (vitra.de) ve Herman Miller(hermanmiller.com) sayfasında bulabilirsiniz.
I love Adobe Illustrator. As well as being one of the primary tools for my commercial work as a graphic designer, I still play around with it for my own amusement. I know, I should get out more. This is the first of a series of illustrations of classic mid-century design objects entirely created using vector software.
For those of you unfamiliar with this, vector images are made up of many individual, scalable objects. These objects are defined by mathematical equations rather than pixels, so they always render at the highest quality. Objects may consist of lines, curves, and shapes with editable attributes such as color, fill, and outline. Because they are scalable, vector images are resolution independent. You can increase and decrease the size of vector images to any degree and the lines will remain crisp and sharp, both on screen and in print.
However, most people are more familiar with bitmap images – also known as raster images – which are made up of pixels in a grid. Each pixel records a tiny portion of colour so if you keep increasing the size of a bitmap image, you will soon see the pixels:
design for modern living
American Midcentury Furniture
Charles Eames er, sammen med Britiske Robin Day, een af vor tids mest indflydelsesrige, visionære og innovative møbel designere – både hvad angår form, materialevalg og produktionsmetoder.
Eames´ mangfoldige leg med materialer og design spænder lige fra formspændt krydsfinér (molded plywood) i 1946, hvor han for Evans Product Company designede LCW loungestolen (senere produceret af Herman Miller), over formstøbt fiberglas i 1948 – en teknik udviklet og finpudset hos Zenith Plastics i sammenarbejde Sol Fingerhut – og trådnet stolen (wire mesh) i 1951 for Herman Miller og sidst men ikke mindst Eames første high-end design, det tidsløse design ikon, The Charles Eames Lounge Chair i 1956, ligeledes for Herman Miller.
Eames møbler er idag, alle uden undtagelse, design ikoner og skønt vi i Danmark først fik øjnene op for Eames i slutningen af 90´erne, eller for alvor måske snarere i starten af 00´erne, så har Eames´ stole, borde og reoler være masseproduceret til store markeder som Nord- og Sydamerika, Asien og Tyskland igennem mere end et halvt århundrede, hvilket gør det relativt nemt at finde vintage Eames klassikere fra Herman Miller eller Vitra (Vitra producerede Eames møbler på licens fra Herman Miller op igennem 60´erne og 70´erne specielt til Tyskland, Østrig og Schweiz – før de i 1984 købte de europæiske produktions og salgsrettigheder af Herman Miller).